The Guernsey Literary and Potato Peel Pie Society

This is not the cover I have... but look how pretty!

'The Guernsey Literary and Potato Peel Pie Society' is a rare book. Perhaps its feeling of rarity is underpinned by the fact that it is the first and last book by Mary Ann Shaffer who sadly passed away before the manuscript was completely finished. (It was completed by her niece, Annie Barrows, who is listed as the co-author of the book.) I read this book as one of those rare treasures- the kind that you can't wait to tear through but that you also can't bear to finish. When I turned over the last page I went back to the first without hesitation and read the book for a second time laughing, crying, and generally feeling that I was in the warming company of good friends. This is an epistolary novel which I thought at first would put me off as it is not my favourite format, but here it is treated perfectly and displays how, sensitively handled, there can be no better way for a writer to truly embody a cast of different characters. I believed in them all utterly. I was completely distraught when I had to leave them.
The book is the correspondence between Juliet Ashton (lovely, lovely character) and a peculiar mixture of individuals who make up a literary society in recently occupied Guernsey. It is extraordinary how cleverly the plot and characterisation are embedded in these letters. If you want an example of 'show don't tell' in writing then this is it. There is something elegant and understated about this quiet book which charmed me completely. When I had finished (for the second time) I pressed the book into Paul's hands with an urgent request to put down what he was reading right now, NOW, and read this because I needed to share it, I needed to talk about it. I think I needed him to make friends with it in that way we have when we press our favourite books onto loved ones. And he did. He loved it too, and we talked and laughed about characters like Isola and Sidney (best of all Isola and Sidney together) like we knew them. I then gave a copy to my mum and talked it up so much to her that I was afraid she would be disappointed. She wasn't, SHE loved it, and when she finished it she took it over to my Nan. When I saw my Nan a couple of weeks ago I asked her what she thought. No surprise, she loved it too, but what was a surprise was that she had had cousins living in occupied Guernsey, right there where the book is set, and she told us about their big house there and how there was a working well actually inside it, and all about her cousins, and what I'm trying to say is that this book was the gift that KEPT ON GIVING. I think it's so special when a book does this, when it brings people together and uncovers thoughts and stories that you might not otherwise hear. This is why my job is the best, why English degrees are the best, because what could be better than sitting and talking about the shared experience of a book read?  'The Guernsey Literary and Potato Peel Pie Society' is something that I have shared, that I have carried around with me ever since. Now, I hope you will read it, or share it, or talk about it, and I hope all this talking it up won't disappoint you.

The Fantastic Flying Books of Mr. Morris Lessmore

This film by William Joyce and Brandon Oldenburg won the Oscar for best animated short film this year. It is difficult for me to tell you how much it moved me. For the majority of the film I found myself making that strange, juddering sound somewhere between laughing and crying and my heart ached, yes, really ached. The importance of the book, as friend, healer, and confidante is what stands at the back of all the work I do. That sounds lofty and self important, but it's not supposed to. What I mean is that it is my pure and wholehearted love of books that made me want to do a job that involved sharing that feeling. I am evangelical when it comes to reading. And so is this film. Of the (many) things that I love about this film one of the best is the way it addresses the value of reading in its place in time. The film shares the spotlight with an app, an ebook for children which is completely interactive. The rise of the ebook is a controversial one in book-lovers' circles, but here it is done so right. Here we see artists and writers embracing what is new to enhance the experience of reading, to explore what is fun and vibrant, to be playful as well as respectful. The film is a joy, watch it over and over.

One of my favourite parts of the film is the surgery scene. How perfect that it is by reading the book that we bring it to life. It made me think of one of my favourite essays on reading by Maurice Blanchot, and that perhaps his words are a good way to leave this subject.

“The book whose source is art has no guarantee in the world, and when it is read, it has never been read before; it only attains its presence as a work in the space opened by this unique reading, each time the first reading and each time the only reading.”

“What is a book that no one reads? Something that has not yet been written. Reading, then, is not writing the book again but causing the book to write itself or be written- this time without the writer as intermediary, without anyone writing it.”


“Reading transforms a book the same way the sea and the sand transforms the work of men: the result is a smoother stone, a fragment that has fallen from heaven, without any past, without any future, and that we do not wonder about as we look at it.” 
                                      ~ Maurice Blanchot, Reading