"Just the jam and the poetry?" he said into my ear. I didn't know who he was. He approached me in the stacks as I browsed. He spoke BBC english and wore a slightly preening twisted smile. In my string bag, over my shoulder, I had a jar of cherry jam and a paperback John Donne.

- Brother of the More Famous Jack, Barbara Trapido


Monday 29 October 2012

Surviving your PhD

 I wanted to write a post about my PhD, but the trouble is that writing about your research can be a minefield. While there is much about the internet and the access it provides to so many ideas that is wonderful and that makes my job as a researcher easier and more enjoyable, I also find myself coming up against problems that people haven't quite worked out the answer to yet. For example, it is difficult for me to write about my current research on this blog because then that information exists 'out there', and if the world already has access to all your brilliant new ideas then they stop being so brilliant and new, and who is going to want to publish them? This instinct to protect your work is complicated by a desire to celebrate what is brilliant about the internet- we can share ideas instantly,with so many people, and out of this collaborative experience can come great work that is marked by a sense of freshness and immediacy.

While I struggle to make sense of all this, I thought it may be interesting to share some of my own experience of working on a PhD so far. Everybody works differently, but this is the strange, slightly fraught, system that I have built for myself. Recently I have been really struggling to tame an unruly chapter and looking at these pictures they fail to convey the feelings of despair, joy, stress, and just plain lunacy that accompanied the process.
My research always starts with a massive pile of books. I read these, make notes on them, mark pages,split them into common themes, and generally feel upset that after every working day I have nothing to show for myself. This can be a common frustration for me. The writing - the word count - tends to happen very quickly at the end, but before that come weeks of painful slog where I seem to be working very hard and producing very little. I am much more at peace with this bit of the process than I used to be as I trust myself a lot more, but it can still be frustrating. This kind of research is slow and laborious, and would not make a good 'Rocky' style montage. After this I try to make some kind of plan by noting all the different ideas I've come across and how I want to try and fit them together. This usually results in a mad scrawl with lots of arrows pointing everywhere as my excited, tea-fuelled brain comes to the conclusion that 'EVERYTHING IS CONNECTED!!!' and a lot of exclamation marks and capital letters start creeping in everywhere.This is one of my favourite bits. Nothing beats that light bulb moment when you can see how everything fits together. I think this is especially rewarding because so much of what you do up until this point is based on instinct, and every time it falls into place your trust in yourself as a researcher grows. Sometimes I won't quite know why I've chosen to follow certain avenues of research, but these seeming tangents often offer me the most innovative insights into a text.

The picture on the left shows all my lovely chapter notes typed up and put into sections. I have to see all the notes in front of me on bits of paper so that I can move them all around until I have them in the best order. After that the actual writing happens very fast. I think that's another reason why putting in so much groundwork works for me- I like to be able to write very quickly, and to keep the style of the thing quite loose and fluid. I suppose the work is quite dense but I don't want it to read that way.
At this point it may be worth stressing how important it is to take breaks. At first I found this really difficult, but  just because you love your job doesn't mean you don't need to take regular time off from it. It's lovely being able to structure my own working days, but I know myself better now, I know how much the quality of my work tails off if I try to log ludicrous hours, and feeling guilty about enjoying my work and then having 'free time' as well doesn't help anyone. I know how lucky I am, and I don't take it for granted... this PhD is one of the most challenging, stressful, frustrating things I have ever done and I absolutely love it.

Tuesday 16 October 2012

Geocaching and Kenneth Rexroth

Hello friends,

It's been a while. The trouble with doing any large research project is that no matter how hard you try to set many small deadlines they inevitably snowball into one giant looming deadline and eat up a month of your life. Now work is going well and I feel like I can stop, breathe, look around me. Happy.

This is excellent news because it coincided with a visit from our dear friend, Ruth, and a big adventure. I have discovered Geocaching. Maybe I'm waaaay behind the times on this. Maybe you all already know about Geocaching (but, if so, why, why didn't you tell me??!). The map on their website certainly makes it look like I am the last person on this planet to find out about it.

Paul with our first find
For the uninitiated, Geocaching is the grown up (or child-friendly) treasure hunt that will make your heart happy. People hide caches of all different sizes in all different places and upload the coordinates to the website, then you stick in the postcode of where you are and set off to find some near you. We live in the middle of nowhere and there are hundreds hidden on our doorstep. In our (so far extremely limited) experience these geocaches are tricksy things with log books inside so that when you (eventually) find them you can write your name on the list and walk on with that small glow of satisfaction that comes from secret keeping. I understand that there are many different kinds of cache in existence and that some house treasure like toys and sweets, but to be honest the excitement of finding one is reward enough. There are several things about this that are truly brilliant. Firstly, there are millions of them. I mean, the scale is ridiculous and so wherever you are RIGHT NOW you are probably near one and you don't realise. Isn't that a sort of deliciously exciting prospect?(When we first looked, the nearest one to us was 0.2 miles away...only the torrential rain outside stopped us from running out the house there and then.) Secondly, people hide them in beautiful, weird, wonderful places that you may not visit otherwise. We had a glorious Sunday morning walk thanks to the efforts of Geocachers in our area. Thirdly, it's a treasure hunt that feels the same as treasure hunts felt when you were little, except this time you get to hold your phone like a compass because we live in the future. It's just lovely, and magical, and creative, and it is a thing people do to bring joy to others, to share a nice walk with them. I think that's something special.
Ruth and Paul...See! How much joy!
Another thing that has been on my mind this week has been Kenneth Rexroth's poem 'Signature of All Things'. I got so many lovely messages about the Mary Oliver post and a feeling of timeliness that went with it, so I thought you may enjoy this. Although Rexroth describes a 'deep July day' there is something about this poem that seems so of this moment to me. I think the taut, beautiful language owes much to his brilliant translations of Chinese and Japanese poetry, and the result is somehow peaceful and soul-stirring all at once.

Signature of All Things
The view from our house, Sunday night.

I

My head and shoulders, and my book                
In the cool shade, and my body
Stretched bathing in the sun, I lie
Reading beside the waterfall –
Boehme's 'Signature of all Things.'
Through the deep July day the leaves
Of the laurel, all the colors
Of gold, spin down through the moving
Deep laurel shade all day. They float
On the mirrored sky and forest
For a while, and then, still slowly
Spinning, sink through the crystal deep
Of the pool to its leaf gold floor.
The saint saw the world as streaming
In the electrolysis of love.
I put him by and gaze through shade
Folded into shade of slender
Laurel trunks and leaves filled with sun.
The wren broods in her moss domed nest.
A newt struggles with a white moth
Drowning in the pool. The hawks scream,
Playing together on the ceiling
Of heaven. The long hours go by.
I think of those who have loved me,
Of all the mountains I have climbed,
Of all the seas I have swum in.
The evil of the world sinks.
My own sin and trouble fall away
Like Christian's bundle, and I watch
My forty summers fall like falling
Leaves and falling water held
Eternally in summer air.

2

Deer are stamping in the glades,
Under the full July moon.
There is a smell of dry grass
In the air, and more faintly,
The scent of a far off skunk.
As I stand at the wood's edge,
Watching the darkness, listening
To the stillness, a small owl
Comes to the branch above me,
On wings more still than my breath.
When I turn my light on him,
His eyes glow like drops of iron,
And he perks his head at me,
Like a curious kitten.
The meadow is bright as snow.
My dog prows the grass, a dark
Blur in the blur of brightness
I walk to the oak grove where
The Indian village was once.
There, in blotched and cobwebbed light
And dark, dim in the blue haze,
Are twenty Holstein heifers,
Black and white, all lying down,
Quietly together, under
The huge trees rooted in the graves.

3

When I dragged the rotten log
From the bottom of the pool,
It seemed heavy as stone.
I let it lie in the sun
For a month; and then chopped it
Into sections, and split them
For kindling, and spread them out
To dry some more. Late that night;
After reading for hours,
While moths rattled at the lamp,
The saints and the philosophers
On the destiny of man;
I went out on my cabin porch,
And looked up through the black forest
At the swaying islands of stars.
Suddenly I saw at my feet,
Spread on the floor of night, ingots
Of quivering phosphorescence,
And all about were scattered chips
Of pale cold light that was alive.